Tuesday, April 19, 2016

Free Speech - why it isn't what you think it is



We live in a country of idiots.

Over the nearly 240 years since independence was declared this country and its inhabitants have seen a number of highs and lows.  We've seen wars and we've seen desecration.  We've seen peace and prosperity (for some).  And often, far too often, laws are used to incorrectly reinforce ideas; whether that's under the guise of a purported right to own firearms (which when reading the ACTUAL TEXT of the Second Amendment clearly outlines the requirements for such things to be true, and virtually none of the gun owners meet these requirements) OR the right to freedom of speech as outlined in the First Amendment which will be our topic today.  

There is an incredible misunderstanding in this country about what Freedom of Speech means.  People make the assumption that they can say anything they want anywhere they want and they are covered under this law from any repercussions.  This could not be further from the truth.

For those of you not familiar with the specific verbiage of the First Amendment I am including the unabridged text here:

"Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press, or the right of the people to assemble, and to petition the Government for a redress of grievances."

The key phrase that people fail to grasp from this statement is right at the beginning, "Congress shall make no law..." this is explicitly indicating that a law shall not exist which infringes on free speech.  Laws are executed by government agencies and maintained by states and the federal law enforcement agencies within this country.  Laws of this sort do NOT extend to public or private business or spaces.  People CANNOT simply say whatever they want and wrap themselves in the cover of the First Amendment and be "OK".

Here's a good example of the idiocy of people.  My drive to and from work is primarily on toll-roads and the primary road I take has numerous bridges and two walking path bridges that the road travels under.  Over the past few years I have been caught up in dozens of traffic jams, some of which extend 10 or more miles back, due to dumbass fucking people camping out on one of these walking path bridges and putting up stupid signs like: "Impeach Obama" or "Abortion is Murder" and other conservative right-wing shit like that.  

Over this past winter the local government decided to put up shaded netting - the kind you find on good tennis courts to keep wind from blowing through - which was clearly done specifically and explicitly to keep these dumbass people from massing on these paths and causing massive traffic issues.  I was extremely excited about this since traffic is bad enough without these fucks adding to it.  



Well, today on my drive home I was experiencing random traffic issues and I thought, "there must have been an accident - it couldn't be those assholes; there's that netting now".  Well, guess what...yeah, it was the idiots.  They had signage above the netting and off to the side of the path and this signage, instead of being some crazy conservative hate-speech it was various versions of complaints about their freedom of speech being infringed upon and demanding the right to be there and put their signs up.  Oh, did I mention that in several places these people destroyed portions of the netting?  No, well, they did.

Ok, so let's get one thing straight - I don't have to like or give a fuck about your message to hate you for causing traffic issues for me and thousands of other people JUST SO YOU CAN SAY THINGS NO ONE CARES ABOUT EXCEPT YOU.  But the fact that these people think that the netting is an infringement on their rights is TOTALLY FALSE AND IGNORANT!

The netting is not a law enacted to limit their speech.  The parties involved in placing the netting there were attempting to merely prevent unwanted affects from their demonstrations.  

You have the right to assemble.  You have the right to protest.  HOWEVER other people and organizations have the right to inhibit you from adversely affecting the surrounding area.  Add to this the fact that you destroyed public property and I hope these assholes got arrested today.  

I have dreams, no kidding, about making my way to the bridge where these people are with a paintball gun and just shooting everyone there, repeatedly at close range - pelting them with high-velocity rounds of paint.  Cause pain but do no permanent or deadly damage.  The satisfaction I have during these dreams is outstanding.

People will continue to unabashedly misunderstand and ignorantly invoke this law; of this I have no doubt.  But my hope is that somewhere along the way someone may stumble upon this post and learn a little something.

For now; please please please don't just assume something is true - investigate and learn.

Tb 


Monday, April 4, 2016

Batman v Superman - A Voice in the Void Review




A lot of people whose opinions I appreciate and respect on a number of topics have been, in a manner of speaking, up-in-arms over the Batman v Superman: Dawn of Justice movie which was released Friday before last.  I'm here to tell you; their thoughts, discourse and opinions are lies or, perhaps it's better, instead to simply say: they fucking missed the point.

In my aging state I tend to prefer to avoid opening weekend release viewing of major films.  Gone are the days of sitting online for hours to rush into the theatre with the hope of getting a decent seat.  Now we can buy seats, specific seats, in advance and never concern ourselves with spending any more time waiting to view the film than we decide is desired.  As such I waited till today to see BvS.



I wasn't worried about spoilers; I've read the stories these characters are loosely based on (Dark Knight Returns, Death of Superman) and so I waded knee-deep into the minefield of Twitter seeing posts about how Rotten Tomatoes rated it terribly and numerous, numerous people stabbing at both the writer David S Goyer (Blade, The Dark Knight) and the director Zack Snyder (Dawn of the Dead, Sucker Punch).



Let's touch on some important things that people completely missed the boat on.  First, the decision to "retell" the Batman origin story.  Yes, they show Thomas and Martha Wayne be gunned down but that isn't the point of the memory; it was in fact a dream and it was a dream about how Bruce first encountered bats and how in this dream they saved/killed him and brought him into the light.  It's a metaphor for who he had become but it also showed that this version of Batman that Goyer and Snyder were portraying was truly broken.  And despite what people will tell you mainstream American (you know, those millions and millions of people who went to see the film that have never read a comic book and may have never even seen prior Batman or Superman movies) they needed to be able to connect Martha Wayne to Bruce in the story.



Second, on that note let's talk about Martha Wayne and Martha Kent (a story line crossover literally decades in the making).  Batman is broken, like...seriously and unimaginably fucked up in this version of the story.  Unlike previous incantations where Bruce used his parent's death as an excuse or even a driving force; this version seems to see that occurrence as a mere stepping stone along a path he was destined for.  Batman is the core of the Justice League; he is their human moral center.  He, unlike all other standard members of the League, is a flesh and blood natural human and he's been broken for a long time.  But guess what; at his core he is still a good person who wanted to do good for the people of Gotham and when Clark utters Martha's name Bruce has an awakening.  He realizes that Superman isn't some god who needs to be feared and destroyed, he's someones son.

You can call that cheesy.  You can call that a cop-out.  But as someone who's read Batman comics for more than half my life; through dozens and dozens of versions of his personality based on differing writers and their construct of him, I can tell you that his reaction was something I expected.



I can't tell you that this movie is perfect; it's not.  There are plot points that seem rushed or at the very least lacking; such as, Diana Prince being in Metropolis to get back a photo of her from when she was fighting in Belgium (along side Chris Pine...) is both naive and somewhat hokey...it's 2016 (even in this movie) and it's a digital image...even if she stole the original and wiped every hard drive she could find he could still have copies...so there's that.  There's the Superman killed people story.  It kinda doesn't make any sense...they were killed with bullets...untraceable bullets, but still...bullets.  Superman would have obliterated them with heat vision if he wanted them dead.  Plus; though this isn't covered in the movie, I am positive that he didn't kill the guy who was holding Lois hostage with a gun to her head so...yeah.

Let's talk about some things that people hated on that aren't plot holes.  First, Batman missing what Lex was really doing.  Bruce had his suspicions and knew Lex was up to something; but I remind you that Bruce is BROKEN mentally and he is absolutely focused on Superman and the need to take him out before he destroys every one and every thing.  Plus there was the Diana women distracting him and weird dreams involving the Flash (which he doesn't know is the Flash yet) and a basically drunk Alfred who wants him to spawn instead of fight.



Second, Superman not seeing the bomb in the during the hearing in DC.  I read a review where the person actually said "why didn't Superman hear the bomb"...I don't mind this person voicing a rather stupid thought, but I do mind them clearly never having watched Fight Club!  "Modern Bombs Don't Tick" is real and the bomb was most likely triggered by a remote device set off by Lex.  There seems to be a side-story in that as well where he allowed his close assistant to die; perhaps he knew that she wasn't able to prevent Bruce from stealing his file, perhaps she knew too much and had to be disposed of.

Batman v Superman is an action-packed film which does a solid job of establishing the DC Universe in characters beyond just Batman and Superman (introduction of Aquaman, Flash, Cyborg, Wonder Woman) and the link between Lex and Darkseid is so...comic-booky that I LOVED IT.  People have been hating on this version of Lex...why?  Because he's a weirdo creep rather than a maniacal psychopath bent on Superman's destruction?  How do you think he got that way?  This movie was Lex Luthor's origin story.  How's that for irony?

I really enjoyed this movie; every film has flaws and plot holes and something for everyone to dislike.  Critics didn't understand it (yes, I realize what I mean when I say that) but it's true.  I'll give you a parable; George Lucas craved the acceptance of Hollywood and critics so much that when he made the prequels he basically said "the true fans will love anything I make but I'm going to try and make this for the masses to enjoy!" and so he went out and did the complete opposite both stylistically and managerially than he had previously by bringing on huge named actors to star and wrote BORING crap stories hoping to appeal to a wider base rather than just focusing on making good movies.  This movie was made with a head nod to the comic book fans specifically.  The story lines are deep rooted in the core of these fanbases.  The Death of Superman and The Dark Knight Returns are some of the most famous stories ever and this film took pieces from both to connect the characters and bring them together.

Is there a better version of this movie?  Possibly.  But this movie didn't disappoint me and I think a lot more people enjoyed it than not.  The fact that on a midday showing the second Sunday after its release I was still in a full theatre is telling.  People love big action films - whether they're about some terrorist trying to take over an airport (Die Hard 2) or superheroes battling a demon monster and each other.

The most important thing I can tell you is this: don't let other people tell you a movie is good or bad; you have to decide that for yourself.  But what's important is that you go in with an open mind.  And also that you listen to me and what I say most of all...I kid..I kid.


Monday, December 21, 2015

Movie Review: Star Wars - The Force Awakens




The films of the original Star Wars Trilogy are iconic, generation-bridging parts of science fiction lore and likely never to be supplanted from their place in history.  There have been other epic series' that have come since; the most impressive of which would be Peter Jackson's Lord of the Rings trilogy.  But given the fact that these were merely adaptations of existing works and not original stories it falls even that much more short.

Lucas, for all his later stumbles and faults, had a vision for Star Wars, Empire Strikes Back and Return of the Jedi.  He scoped the arc of each character and developed the plot with an emphasis on drawing the audience in and making them genuinely care about Luke, Han, Leia, Chewie, C-3PO and R2D2.  This is something that so many other filmmakers have tried to do and failed; he should be applauded for his creativity, vision and foresight.

With the sale to Disney the franchise was put in the hands of the most competent director in Sci-fi films right now.  Six years prior JJ Abrams had resurrected the basically dead Star Trek franchise with a new cast.  He forged his own path going so far as to put his version in an alternate universe from canon to maintain what had come before without letting it influence his vision.



Disney, perhaps in collaboration with Abrams, did a similar thing in the SWU - all the books, comics, etc. that had been produced since Jedi were expunged from canon.  I was among those fans who had hoped without reason that Episodes VII-IX would be the Timothy Zahn story; by far the best series of the Star Wars Expanded Universe (SWEU) but those hopes were dashed.  If you haven't read this series, known as the Thrawn Trilogy, I would highly, highly recommend picking it up.

Unlike restarting Star Trek, which had already produced numerous television series and nearly a dozen movies, Star Wars was living on the gasps of what the original trilogy could still command after the debacle that was the prequels.  There are certainly SW Fans who will stand by those films as they are zealots and ravenous fans too blind to recognize failure in their messiah.  I don't mean to cast aspersions upon all SW Fans who enjoyed episodes I-III, but if you can't see the obvious flaws, storyline errors and insanely contradictory plot points these films created you are not someone whose opinion on film that will hold any weight with me.

So here was the task set before Abrams: resurrect the Star Wars Universe, bring together fans of the original trilogy (meaning: don't ignore that which came before) and draw in a whole new generation while simultaneously set up a franchise which Disney plopped down $5.5 Billion (will a B).

I chose to keep myself rather distant from the rumors and stories out there about the film's plot, characters and story.  It felt important to me that I go into this experience with my eyes as unclouded as possible.  I watched the trailers, yes.  But I ignored all goings on and chatter out there.  When I sat down in that theater today I had an open mind and no expectations.

I've spent much of the day replaying the film in my head and even considered not writing anything up until I saw the film again; but initial reactions can be solid from a writing perspective.

Let's start with what I didn't like: I was definitely disappointed in the lack of screen time for Captain Phasma.  It is entirely possible that her character will play a much larger role in the subsequent films but for me her absence was noticeable.  The characterization of Luke was not to my liking.  A bad thing happens and he runs away?  That's not the Luke I knew from the original movies; which is all we're supposed to know.  As much as I tried to disassociate what I know from the SWEU the use of lightsabers by non-force trained persons was bothersome to me.  It's a hurdle I don't think I'm easy to clear.  Who's fighting who and why; there's an established government (the presumably good guys - The Republic), the First Order - who rose from the ashes of the Empire, and the Resistance...which is apparently the guerrilla fighting arm of the Republic?  It is not at all explained and we are left wondering why it was set up this way.

What I did like: the character dialogue was brilliant at times.  When Poe Dameron and Kylo Ren first meet, Poe's little glib remark, "Do you speak first, or do I speak first?" is spot on and hilarious.  Though Poe doesn't have an excessive amount of screen time this line is perfectly in line with who he is as the "new Solo" (calling it now).  The relationship between Rey and Finn - two people who have not lived the life they wanted and are drawn together by forces beyond their control make a distinct and pure connection.  The story of Han and Leia; its construction helps at a reality to the time that came before and puts a human face on the Universe-spanning story line.  The fact that unexpected things happen regularly and without fear of the repercussions; Abrams isn't afraid to anger or disappoint fans - which is the exact opposite of where Lucas had taken the franchise, I have to give him credit for that.

Because Star Wars has been such an influential and impactful part of my life and since I was left feeling burned and scared by the prequels I realize that judging this film too harshly is a very real possibility.  I remember walking out of Episode I thinking, "The next one is going to be awesome - this was the set-up move, like A New Hope and the next one will be dark and full of kickass fight scenes, like Empire" and that hope was not fulfilled.  So whereas there is absolutely no comparing the quality of The Force Awakens with the crap which was Jar Jar Binks and the trade embargo story of The Phantom Menace, there is still those lingering concerns.

I fully reserve the right to amend this review after seeing the film a second time if I come away with a much happier feeling.  But for now I leave you with this: Star Wars is alive and well.  And that is something we can all be happy about.

Tb

Monday, September 7, 2015

Being a Star Wars Fan


Courtesy of Disney & Lucasfilm





Courtesy of Disney & Lucasfilm
Being a Star Wars fan of my age is a bit terrifying right now.

I grew up on the original trilogy. I consumed them frame by frame, imagining myself on Hoth battling AT-ATs, running through the halls of Cloud City and the forests of Endor.

I spent inordinate amounts of money on the Star Wars CCG and Role Playing materials (though the stories that came from those experiences I will treasure forever).

But I had never seen a Star Wars film on the big screen until the mid-90s "remastered" films. I was still relatively young at the time so my level of angst was minimal (don't worry, it grew quickly) but even then I was annoyed at the tinkering. I was expecting to see a higher quality big screen version of my favorite films. Instead I saw randomly inserted new creatures and ridiculous dance scenes.

Proof that NOBODY liked the tinkering is that when they finally released the films on DVD they were a package deal. To buy the original you gotta get this new shit too. I've never once watched those versions.

Then Phantom Menace is announced. I remember buying tickets to see one of the Analyze movies with Deniro because the new trailer was being shown on that movie specifically (talk about a ridiculous crossover of audiences) and when that music started up and that first scene appeared: chills.

My friends and I sat in line for 6+ hours opening night to watch that pile of garbage with 6 minutes of great Jedi on Sith action. Afterwards, sitting at the Dunkin Donuts we discussed how, like A New Hope this had a slow start but the next one...the next one will be great!

Those dreams died very quickly with Attack of the Clones (which had no attacks of clones or by clones).

I'm not even going to spend time on Revenge of the Sith.

Cast and Crew of SWEPVII Meeting to discuss the film
Courtesy of Disney & Lucasfilm
Things are different now. Lucas has sold his influence away. Disney has kept the key players from Lucasfilm in place to guide the ship and they went out and got Abrams who resuscitated the Star Trek universe with grace and a tip of the cap to all that had come before.

But still I proceed with cautious fear/jubilation. They're saying all the right things; separating themselves from Lucas' vision for this next trilogy and are centering the film on new characters with a nod to the original star warriors.

It's not just about Ep VII though. With Disney at the helm they are determined to get their 5Billion and then some out of their investment in the greatest science fiction saga in film, screen and page.

Spin off films are already in the works and the sky is the limit.

Over-saturation is a common concern I have heard coming from a lot of fans but if done well the myriad films have the ability to do in movie form what the books of the Expanded Universe have done for years: create a more well rounded and magical view of the Star Wars Universe.

New characters are good and important. When I originally head the original cast was returning but they weren't using anything from the EW canon and were in fact dissolving that canon to allow these movies to exist with the encumbrance I was frightened. Old Luke, Han, Leia and Chewie battling the empire seemed cliche and interminable.

But you add in fresh faces to alter the course and boom; magic restored.

I have a lot of hope left in me and I am thankful for the opportunity to still believe in the magic of Star Wars.  No longer will I utter the words, "I have dreamed a dream and now that dream is gone."  The dream has returned and with it comes lightsabers and wonderment. 

Below are some images from the The Force Awakens in Theaters December 18th


Courtesy of Disney & Lucasfilm

Courtesy of Disney & Lucasfilm

Courtesy of Disney & Lucasfilm

Courtesy of Disney & Lucasfilm

Courtesy of Disney & Lucasfilm

Friday, August 14, 2015

Movie Review: Fantastic Four

Courtesy of Marve/20th Century Fox

Story points and plot is divulged below...read at your own peril.

The Marvel universe has been taken in a lot of good directions over the past 15 or so years.   The X-Men franchise - though had some middling along the way - has overall been very strong thanks to some great directing work. The Avengers (including Hulk and Iron Man movies) has also had some issues but again the strength is still there making the franchise a billion dollar entity.

All of this was possible because Marvel stepped up and basically created their own production house - not satisfied with letting others take the lead on their own characters.   Which is what makes this film so surprisingly bad.

Actually, let me take that back...it's not bad; it's worse than bad - it's boring.

Fantastic Four is a reboot to the previously failed franchise staring Ioan Gruffudd (King Arthur), Michael Chiklis (The Shield) and Jessica Alba (Sin City) which held true to the original story of how the team got their powers. The first movie wasn't bad, a typical Origin Story to introduce an audience not all that familiar with superhero movies back in 2005.   Where the train went off the tracks was in the second film when they decided to follow the Silver Surfer/Galactus storyline (an utterly famous arc in the comics which has spawned hundreds of stories since) but apparently deciding that a giant pink and purple humanoid with amazing powers and gadgets they made Galactus some kind of cloud creature with tentacles...yeah.

So, is the new Fantastic Four worse than tentacle monster Galactus? Sadly, yes.

The film dives into the childhood of Reed Richards and Ben Grimm where, in fifth grade, the two collaborate on an amazing device that can transport matter into another dimension.   Fast Forward seven years (so that makes Reed like...17?) and one of the top minds in the world is trolling high school science fairs looking for talent? Yeup.
Courtesy of Marve/20th Century Fox

Richards gets brought on board at the Baxter institute where Franklin Storm (Sue and Johnny's father) runs a prestigious (although apparently secretly funded) institute for gifted youngsters.

Oh, and Von Doom is there.

Richards and the team, along with Doom who is apparently a badass with a past (that isn't gone into other than in random asides) and whom is in love with Sue (gotta keep that part of the continuity, right?) work to complete a large-scale version of Reed's original machine to travel to this new universe.

After testing it and confirming it works the team gets benched in lieu of professionals (a novel concept) but the boys get drunk and decide to use the device themselves.   Predictably that endeavor goes awry leaving Doom presumed dead in the other universe and the other three transformed. The trip back causes some sort of disruption field which affects Sue as she's wildly and RANDOMLY TYPING A MILE A MINUTE ON A KEYBOARD because we all know that the faster and more random you type into a scientific computer the more likely you are to be successful at what you're trying to do. Not blaming Mara for bad acting necessarily...though she seemed to do kind of the same thing in House of Cards a couple times...

So now they've got powers and are going to team up to save the world, right?!?!? Wrong.
Courtesy of Marve/20th Century Fox

To apparently create heightened and never actually fulfilled drama to this story Richards runs away from the complex the team is being held at. He disappears, naked, from a hidden and totally off-the-grid military installation in the middle of winter...just, why?

The story skips ahead a year. They've all gotten better control of their powers and a new device is ready to transport a team back to the other universe...where Doom is alive and has been busy cultivating world-altering powers!

In the end the movie culminates in an all-to-short fight between the Four and Doom where predictably and incredibly easily they are victorious. The world is saved!

I was genuinely excited for this reboot. The FF are one of my favorite teams as they are origin of my favorite Marvel character the Silver Surfer who has played a prominent role in their universe of the decades of comics. It seems really unlikely the studio will green-light a sequel given how much this movie has been panned; which is unfortunate. And if Twitter is to be believed even the Director thinks the final product is shite...intimating that there were outside influences at work that destroyed his better vision.

Courtesy of Marve/20th Century Fox

The cast had promise but the story was flawed. Buried in the minutia of character development. Why does there need to be a origin story movie for all superhero characters? Where is that written?   Jedi have the Force - it's explained (albeit briefly) and then it's understood and accepted. There's no damned origin movie explaining how Jedi's got their powers or why. Just make a movie that's entertaining and shows the characters in their element. If people don't understand why so and so has these powers and what's his name has those powers they can FUCKING GOOGLE IT.

It just feels that these movies more often than not fail due to the hindrance of having to spend screen time devoted to explaining things that don't really need explaining. Just tell us a fun, entertaining, action laden story!


Sadly FF is a big pass.   Don't waste your money. If you want to see it, wait for streaming of DVD.   The graphics and fight scenes don't even require the big screen like most action movies do - there's not enough of them to warrant it.

Tb

Monday, August 10, 2015

True Detective: Season 2

A word of warning - if you haven't watched the entire season yet or haven't watched the final (which aired last night) yet then I would not read this post...yet, come back once you have and comment on whether you agree or disagree with my assessment.  I always love a good back and forth.

As for the rest of you, come take a journey with me...


Courtesy of HBO


Season 2 of True Detective was one of the most highly anticipated television shows in recent memory.  There was so much speculation about who the cast would be as they would have a lot to live up to; McConaughey and Harrelson played the lead role so very well in Season 1.  The cast was announced: Vince Vaughn, Colin Farrell, Rachel McAdams on the marquee with Taylor Kitsch rounding out the main quartet (four detectives?).  Nope, three with Vaughn playing the role of a gangster.

The people who argued initially that the series diverted too much from the first season as their reason for complaints early on failed to understand what creator and lead writer Nic Pizzolatto was going for and had said from the beginning: season 2 was not season 1.  And you wouldn't want it to be.  The premise wasn't that this entire series would take place in the Bayou with crazed hillbilly madmen killing people; that would get boring.
Courtesy of HBO

But there is a reality to the fact that this season was much more like a procedural cop show (Law & Order, NCIS, et al) than the inventive and catch you off guard show we'd seen before.

Southern California was a much more traditional setting - big-city life has its standard tropes, many of which were here.  There was definitely an interesting mystery involved.  In the first episode a major player within the seedy government of Vinci, CA is murdered by an unknown assailant.  His body is found by an off-duty highway patrolman (Taylor Kitsch) who happened to have been recently suspended pending allegations of propositioning a woman he had pulled over.  The state wants a special investigator appointed (McAdams) and the local cops want to make sure they're involved (since the town is as crooked as an Allan Wrench) and they assign their own detective (Farrell).  Vaughn is involved on two fronts: he had business dealings with the deceased wherein about five million dollars of his goes missing (embezzled most likely) and he has his hooks in Farrell due to a prior dealing years back.

So that's the set-up: three cops from different divisions all looking to solve a murder of a city employee from some tiny little town in California...so tiny that their only residents are businesses - there's no real population.

Along the way there's a number of twists and turns. Kitsch has homosexual undertones within his military history.  McAdams has a fucked up past where she was lured away from the hippie colony she was raised in by a creep who held her and molested her for four days before returning her.  Farrell's young wife was raped and through Vaughn he's given the name of the attacker, whom he murders.  And Vaughn is a self-made gangster who rose through the ranks to be the top of the food chain...but as is so common in that world the guy at the top of the hill is just the easiest to knock off because he has the least amount of ground to stand on.

Courtesy of HBO

There are definitely interesting parts of the story along the way.  But in a lot of ways there's too much.  There's side-stories that either never pay off or when they do payoff it feels like a letdown.  By the final episode the characters who tie everything together, the ones who actually killed the city worker which set all the other cogs in motion, were people who had been randomly mentioned a couple of times a few episodes back so instead of tying the story together it just left you thinking: wait, why did they kill this guy instead of any of the other people who were involved in what had happened to them?  It's akin to a scooby doo episode when all along you think the lighthouse keeper is the guy doing all the weird stuff and it turns out to be old Mr. Olsen who owns the hardware store in a rubber mask.

Then there's the dialogue...it's like watching a David Lynch movie.  People say things, they talk and I literally had no idea what was happening.  Several times, EACH EPISODE, I had a distinct and specific thought of, "who actually talks this way, is this a way people talk and I just don't know it?".

There's a part of me that thinks Pizzolatto felt the pressure of living up to Season 1 and didn't really know how to make it happen.  And there's another part of me that thinks that this is just what Pizzolatto was going for.  He wanted to move in a dramatically different direction but stay within the same general world of law enforcement.

Though the ratings definitely took a hit from the prior season it seems that Season 3 is most likely to occur.  I will be curious if HBO requires Pizzolatto to give up some of his writing power and let others take the reins for some or all of the episodes with him fading back into more of a Producer role.

In the end I had several major problems with how the season ended as the last two episodes played out.  First, Kitsch's character is murdered in a way that makes NO SENSE.  He's ushered into an underground tunnel and manages to escape from the five guys with guns but as he surfaces through a totally random doorway (not the door he went in) a Vinci officer is waiting and kills him as he walks away.  There is ABSOLUTELY NO WAY this makes sense.  First, it presumes that the guy knew he was going to escape from the other group AND it presumes that he knew exactly which of the dozens of doors Kitsch could have come out of.  This is one of those epic fail moments for the series.  It's like: we need this guy to die but we want him to have that hero moment and make you think he's going to make it only to kill him in the most annoying way possible.

Courtesy of HBO

Second, Vaughn's death in the desert...he probably would have made it, not easily and definitely could have died from exposure but at least he'd have had a chance...but he makes a really dumb fucking move and attacks one of the guys in the crew that dragged him out there after they'd decided to let him live.  And why does he attack?  Because the guy wants his suit.  WHAT?  Do they think that anything they've shown us of this character before would justify this act of idiocy?  It doesn't.  Not even close.

Third, Farrell's death.  He decides it's important that he see his son one more time before making the run to Venezuela...ok, I'm willing to admit that my thoughts here are a bit skewed by the fact that I fail to comprehend the desire and want of children who, in reality, are nothing but a parasite and then a leech on the existence of a family unit but the fact that he takes a side-trip to the one place they could actually spot him, the ONLY place that would be as stupid to go to as his own home...and he goes there.  DUDE YOU JUST STOLE MILLIONS AND MILLIONS OF DOLLARS just send him a fucking plane ticket to come visit for fuck's sake.

If Season 3 happens I will watch it with cautious optimism but put away and true hope or expectation of quality.  For now, I sit in wait of Season 6 of Game of Thrones...

Tb

Monday, June 22, 2015

Movie Review - Jurassic World

Courtesy of Universal


There are some movies out there that have you leaving the theatre scratching you head asking "What the hell did I just watch?" - I'm looking at you Mulholland Drive.  And then there are movies that have amazing twist endings like Fight Club or to a lesser extend Identity.

Jurassic World (the fourth installment of the Steven Spielberg Jurassic Park series) is neither of these kinds of movies.  It's a straight forward action movie and if you go into it assuming anything else you're setting yourself up to be disappointed.

There aren't twists (unless you somehow assumed the rugged guy and the uptight girl weren't going to kiss) though there are interesting ways that the story diverts from the norm along the way.

The premise of the movie is that on the same island as the original Jurassic Park - Isla Nublar -the park has been realized and opened as Jurassic World.  It's not 20 years since the tragedy of Hammond's original park and the world has accepted Dinosaurs in all their majesty as nothing more exotic than African White Rhinos or some other creature they'd probably never see in person.  They have a baby dinosaur petting zoo/riding park...yeah.

Courtesy of Universal


So, even though the park has run smoothly for years - even with Raptors and a T-Rex - it's about time for that all to change.

Claire (played by the stunning Bryce Dallas Howard) is an uptight control freak genius who runs the day-to-day at the park.  A lot has been made of her "lack of feminism" as a female lead character.  I saw it more as a caricature of that kind of woman than as an advertisement for that sort of person to truly exist.  She's a damsel...but not really.  She reacts the way, I imagine, anyone who isn't insane or an idiot of some kind would if confronted by a ten-ton monster dinosaur who's trying to eat you.

Courtesy of Universal

Courtesy of Universal













Owen (played by the blue-eyed dreamboat Chris Pratt) is the prototypical Han Solo rip-off, right down to the scene with him bemoaning his failed date with Clair whilst absentmindedly working on his motorcycle (which he uses to lead a pack of Raptors, by the way).  All you needed was talk of hydro-spanners and failed hyperspace jumps and it would have been Star Wars.  He doesn't react the way a person should when confronted by a ten-ton monster dinosaur...but earlier in the movie he is clearly established as INSANE when he jumps into the Raptor paddock to save a fellow crew member.

Courtesy of Universal


The story centers around a new dinosaur which was genetically engineered from a secret concoction of other dinosaur and assorted species (secret until the plot warranted it's inclusion) escaping from it's paddock and running wild across the island killing anything it comes in contact with.

Oh, did I forget that the main characters of the movie are Claire's two nephews?  Well...they kinda forgot to include a plot point in the beginning of the movie explaining anything about why the kids were coming to the island.  And throughout the movie they keep putting the boys in peril but failed to create an appropriate bond between the boys and the audience to establish why I would care that they, instead of an extra in the background, are picked up and carried away by a Pterosaur.

Courtesy of Universal


At it's core this movie is about badass dinosaurs getting into some serious showdowns and there are plenty of great action scenes.  It had me thinking about the failed Alien vs. Predator movies or Predators where the story spent way too much time on the human characters and not enough time with the Aliens and Predators kicking ass.  Jurassic World should have been 105 minutes of dinosaurs rampaging and fighting to the death.  The human element should have been merely fodder to help the audience understand the size and scope of the dinosaurs might.

That is a movie I would have enjoyed.

Jurassic World isn't bad, it's a fun and entertaining action movie.  I think the choice to bring on an art house director showed in how they tried to add a greater level of drama to the movie but unlike the original Jurassic Park they failed to do so.  When you sat in that theatre and saw the T-Rex pushing that car further into the mud you were worried about little Timmy and when Ellie was running from the Raptors in the bunker you were FREAKING OUT.  Jurassic World had no moments like that, at least not for me.  It could be that I'm older now and more jaded to films...but, nah, it's the director's fault.

This is a movie worth seeing and worth seeing on the big screen to fully appreciate he sheer size and awesomeness of the creatures.  But go to a matinee and save yourself a few bucks.

Tb

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